professor for the programs:
Annual Course, Artistic Master, Post-Graduate Master

Linda Campanella is a high value artist with a brilliant vocal technic. As vocal coach, she is able to train young talents all the technical abilities necessary for for the “belcanto” and in general all the repertoire.
Renata Scotto

Ranked as one of the greatest and eclectic voices on the Lyric Italian scene (“great voice extension and incredibly stable in high and over-high registers, musically impeccable, expressive and scenically delicious” – A. Merli”).
Linda Campanella was born in Savona. She toke the graduation in piano, leaded by   Walter Ferrato, and in Opera singing with Franca Mattiucci, at the Alessandria Music Academy. She improved her repertoire attending master classes with Renata Scotto, Rockwell Blake, Robert Kettelson. She made her debut  in 1998. From this year onwards, she has performed  in the main Italian, european and extra- eurpoean opera-houses. She has performed the main roles of  the “soprano di coloratura” repertoire. She also recorded a lot of baroque classical pieces with first performances of Paisiello (il Socrate immaginario), Vivaldi (Il Giustino), Scarlatti (Oratorio della Santissima Trinità), Galuppi (L’amante di tutte), Stradella (La Doriclea).
Remarkable is her repertoire of liederistic pieces:  Mozart’s, Berg’s and all the romantic and late-romantic spanish, german and french  lieders. She is highly reguarded also in Sacred and Contemporary Music. She recorded important pieces as Sturm und Drang (contemporary liederistic) and some mainly composers like Possio, Correggia, Morricone, Acker, Yanov-Yanovsky have written for her some pages or specific Opera roles, considering her virtuosic talent. Her collaborations with Settembre Musica and with the Fylarmonic of Verona are proof this ability.
Estimate as leading performer in Donizzetti’s “La figlia del Reggimento” at the Teathre  Coccia of Novara; as Adina in Donizzetti’s “Elisir d’Amore” in Toledo, Spain; as Sofia in Rossini’s “Signor Bruschino” in Turin  with Mr Desderi as Conductor.
She has been chosen as protagonist in the world-first recording of Agnese by Paer, together with the  instruments ensemble “ I Barocchisti” conducted by Diego Fasolis.
In 2009 she played the role of Juliette in Gounod’s Opera, in Novara, and “Susanna in Nozze di Figaro” in Saragozza. At Politeama Teathre of Lecce she brilliantly performed Rosina in Barbiere di Siviglia and Adina in Elisir d’amore. During operistic season 2010/2011 she sang as Gilda – Rigoletto in Bergamo, Lucca,  Sassari and at Theatre  Verdi of Pisa;  Norina of  Don Pasquale in Bergamo and Novara.
Noteworthy also her Rossinian performances in collaboration with Savona’s “Opera Giocosa”as protagonist in  Signor Bruschino, Cambiale di matrimonio and in Italiana in Algeri. She has successfully sung the role of Adina in Elisir d’amore at Donizzetti’s Festival of Bergamo, in Tokyo, Yokohama, Morioka, Nagoya, Toledo, Saragoza, Alicante, Palma de Mallorca, Novara, Asti, Alessandria, Savona, Massa Marittima and other main italian Opera Houses. Intensive her concert activity both on italian and  international stages.
Norina in “Don Pasquale”
The overwhelming Norina by Linda Campanella: the soprano is totally in the pink in a role that seems to be written exatly for her. This confidend and fascinating Norina comes onstage looking like Jane Fonda in “Barbarella” and makes most of her audience jump.
Norina’s aria gently flows adorned by an impeccable execution.
This mood goes on for all the Opera, in which mrs Campanella comes out with a fresh coquetry.
In practice, here we find her beautiful qualities, already noticed in mrs Campanella’s Gilda in Bergamo, given back more impressive by the incredibly voice’s fusion with the role.”
(GB Opera)
Cambiale di Matrimonio, Savona
The lively “Fanny” of Linda Campanella rules the all the evening.
Her voice is always well-mixed with a careful staginess and deals successfully with the redoubtable aria “Vorrei spiegarvi il giubilo”. All these skills, in my opinion, make this Artist one of the most interesting nowadays for this kind of repertoire.
L’Opera – Silvia Campana
Elisir d’Amore Bergamo/Tokyo
What about Linda Campanella? We can say all the best, both about vocal precision and the grace of her interpretation. She’s able to stay on stage with moderation and naturalness, making the character as believable as possible.
This singer has evidently the professional reliability of an authentic musician: she follows the director’s instructions but she doesn’t give up followiong what the original wordbook says.
Corriere del Teatro
Linda Campanella’s experience and good use of voice are her strong point.
She characterizes her roles with elegance and moderation. Her timbre is delightful and all the vocal agilities are approached in a resolute manner.
Operaclick – Marilisa Lazzari
… With peaks of excellence with Maria by Linda Campanella, who makes the “vivandiera” a fancy, breezy character with an excellent voice control. She is petite but incredibly determined and engaging; her timbre is fresh and considerably extended, she has good homogeneity in all the registers. The diction is clear and clean, both in rushes and in frequent agility passages, which are performed with accuracy and never flattened: in most brilliant moments she caused lots of applause from her listeners. Also welldone the first act aria, with well-managed breaths and an always relevant phrasing.
The over-high spots of some all-characters scenes are loud and well-marked.  Linda is really a wonderful surprise.
Operaclick – Vittorio Zambon
Ranked as one of the more eclectic voices on the international scene and one of the best renowed and respected vocal coach.
Linda Campanella has a complete and wide experience in all the main vocal repertoire: Opera, Belcanto, Baroque, Lieder, Contemporary.
All the main roles of “Soprano di coloratura” debuted, several recordings and first performances in Baroque , collaboration with piano-star like Michele Campanella for the Lieder.
As a vocal coach Linda has great experience and world consideration: Masterclasses in Tokyo Kunitachi College of music, Beijing University e Conservatorio Cantelli Novara.

CLASSES 2019 - 2020

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